By using any of these images you agree to LACMA's. 66 x 120 x 156 in. Post was not sent - check your email addresses! Copyright Kienholz. The URL of the page you requested has changed. Edward Kienholz (United States, Washington, active Indiana, Hope, and California, Los Angeles, 1927-1994) United States, 1964. The piece won Kienholz instant celebrity in 1966 when the Los Angeles Board of Supervisors tried to ban the sculpture as pornographic and threatened to withhold financing from LACMA if it included the work in a Kienholz retrospective. Collection: Los Angeles County Museum of Art. JavaScript is disabled for your browser. National Gallery of Art, Washington, D.C. Enter the password that accompanies your username. A 1969 documentary film … With elements of even shoegaze, this song is so very ahead of its time. Change ), You are commenting using your Facebook account. Paris: Editions du Centre Pompidou, 2001. "Back Seat." Powell III, Earl A., Robert Winter, and Stephanie Barron. Schneede, Uwe M.  Die Geschichte der Kunst im 20. Please update your bookmark. Los Angeles:  Los Angeles County Museum of Art, 1984. Photo dated: March 26, 1966. The song unfortunately did not have the same success as the sculpture, Opus 1 were formed by drummer John Christensen when he needed a band for his house party and called the rhythm section of Chris Morgan and the Togas, who at the time lived just down the road from Christensen. A 1969 documentary film about the exhibition and the censorship debate can be viewed here here. We have automatically redirected you to the new page. The life-size tableau depicted two youths copulating on the back seat of a car, a sexual experience that Kienholz and others maintained was common in California, where social proprieties had not caught up with evolving technologies. Licensed by Art Resource, NY. (304.8 x 368.3cm), Puchased with funds provided by the Art Museum Council Fund (M.81.248a-f), Edward Kienholz (United States, Washington, active Indiana, Hope, and California, Los Angeles, 1927-1994), Saar, Betye, and Jonathan Griffin. Sorry, your blog cannot share posts by email. with distortion filling the hazy air in the back seat of the 1938 dodge… Also derives from specific memory from past.When first display at LACMA it was deemed too pornographic, but it became more popular because of this controversy. Paint, fiberglass and flock, 1938 Dodge, recorded music, and player, chicken wire, beer bottles, artificial grass, and cast plaster figures. Ever since,Back Seat Dodge ’38 has drawn crowds. County Supervisor Warren Dorn closing the door of Edward Kienholz's controversial art installation entitled, "Back Seat Dodge, 38". Edward Kienholz. Paint, fiberglass and flock, 1938 Dodge, recorded music, and player, chicken wire, beer bottles, artificial grass, and cast plaster figures. Opus 1 – Backseat ’38 Dodge Released in 1966, this song is a lost gem of garage surf fury with distortion laden breaks. Polyester resin, paint, fiberglass, and flock, truncated 1938 Dodge, clothing, chicken wire, beer bottles, artificial grass, and plaster cast. Los Angeles: Los Angeles County Museum of Art, 1981. Architecture, Urban Planning, and Visual Arts, Materials include: paint, fiberglass and flock, 1938 Dodge, recorded music, and player, chicken wire, beer bottles, artificial glass, and cast plaster figures, 167.64 x 304.8 x 396.24 cm (66 x 120 x 156 inches), Licensed for educational and research use by the MIT community only, Repository: Los Angeles County Museum of Art (Los Angeles, California, USA) ID: M.81.248a-e, installation artist: Edward Kienholz (American, 1927-1994). Ever since, Back Seat Dodge ’38 has drawn crowds. ( Log Out /  The controversy resulted in very high attendance. In 1966, The Los Angeles County Board of Supervisors threatened to shut down an exhibition of Edward Kienholz’s work at the Los Angeles County Museum of Art. 66 x 240 x 144 in. Los Angeles: Los Angeles County Museum of Art, 1966. Limited-Edition Prints by Leading Artists, Los Angeles to New York: The Dwan Gallery, 1959-1971. (167.64 x 304.8 x 396.24 cm); Current footprint: 120 x 145 in. Change ), You are commenting using your Twitter account. "Influences: Betye Saar.". Asco: elite of the obscure, a retrospective, 1972-1987. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The uproar led to more than 200 people lining up to see the work the day the show opened. Made in California: Art, Image, and Identity, 1900-2000. Art in Los Angeles: Seventeen Artists in the Sixties. Back Seat '38 Dodge. 2wice Arts Foundation, Inc., Volume 5, Number 2 (October 2001). 66 x 240 x 144 in. Released in 1966, this song is a lost gem of garage surf fury with distortion laden breaks. (167.64 x 304.8 x 396.24 cm); Current footprint: 120 x 145 in. Kienholz’s installation work, The Back Seat Dodge ’38 (1964), was first exhibited in LA in 1966 when it scandalized the county supervisors, who labeled it as “revolting, pornographic, and blasphemous” and requested the closure of the exhibition. Francis, Mark, ed. Paint, fiberglass and flock, 1938 Dodge, recorded music and player, chicken wire, beer bottles, arificial grass, and cast plaster figures, Other works from Los Angeles to New York: The Dwan Gallery, 1959-1971. Time Based Media. Other images may be protected by copyright and other intellectual property rights. "Los Angeles to New York: The Dwan Gallery, 1959-1971" at National Gallery of Art, Washington, D.C. 2-Dimensional Information (Contour Lines) Transferred from Point A to Location B Lines scribed on swamp grid with sickle-mower Cuts filled with aluminum filings (residue from aluminum borings) Piece completely submerged in water at high tide 12:00 noon Size: 175' X 200' Photo: Infrared, 1969, Untitled (Vintage Poster for Medien, Macht, Manipulation), 1987, Untitled (Poster for Maeght, Zurich), 1977, Anderson Collection at Stanford University, Marcel Duchamp, ‘Bicycle Wheel,’ 1913 Prototype, 1965, Image © 2016 Museum Associates / LACMA. Back Seat Dodge '38. Los Angeles Nuggets 1965-1968 September 21, 2009 $1.29 Start your 30-day free trial of Unlimited to listen to this song plus … München: Verlag C.H. Opus 1. Kienholz opened the famed Ferus Gallery with Walter Hopps in 1957, and the same gallery housed the artist’s first solo exhibition. The song unfortunately did not have the same success as the sculpture, Opus 1 were formed by drummer John Christensen when he needed a band for his house party and called the rhythm section of Chris Morgan and the Togas, who at the time lived just down the road from Christensen. Create a free website or blog at WordPress.com. East of Borneo is an online magazine of contemporary art and its history as considered from Los Angeles. 66 x 120 x 156 in. Materials include: paint, fiberglass and flock, 1938 Dodge, recorded music, and player, chicken wire, beer bottles, artificial glass, and cast plaster figures A prominent figure in Los Angeles’s art scene, Ed Kienholz produced rough-hewn wooden relief paintings in his early career (that he painted with a broom), before going on to make his better-known large-scale tableaux and sculptures—for which he constructed objects and scavenged items from the streets of LA. Beck, 2001. Chris Burden's Metropolis II is an intense kinetic sculpture, modeled after a fa…, Presented at the original Otis Art Institute campus where Charles White was the…, Since the 1980s, Chinese contemporary artists have cultivated intimate relations…, Betye Saar (b.

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