In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. This still-life done in 1943 provides a valid example of the latter category in terms of technique, size, composition, and subject. Giorgio Morandi Still Life. The painting’s first owner was George Jay Gould, the son of Jay Gould, an infamous “robber baron” who made his fortune as a financial speculator and railroad magnate. John Berger, Art Monthly Australia, 'How is it there? NEW YORK, NY.- Sotheby’s first-ever Impressionist & Modern Art Day Sale Online concluded yesterday afternoon, achieving $9.9 million. (32.5 by 24 cm). Attracting an average of 3.5 bidders for every lot sold, the auction saw competition from more than 30 countries, with 29% of all buyers new to Sotheby’s. General Catalogue, Electa, Milan, 1994 (first edition, 1977), vol. Oil on canvas, 15 by 18⅛ in. Oil on canvas, 14⅞ by 17¾ in. Galleria della Scudo, Verona/Italy, Acquired from Verrando in the mid 1980s. More information is also available about the film collection and the Circulating Film and Video Library. This record is a work in progress. 17-77, Sydney, 1999, 67 (colour illus.). Deliberately painting the unremarkable, such as bottles, nondescript vases, and small pots, Morandi centered his practice on intense concentration and compositional balance. Sold for 1,580,000 USD. Framed: 20 by 17½ in. Adresse email visible uniquement par l'auteur du blog. Edmund Capon, Art Gallery of New South Wales annual report 1998, 'Director's Statement', pg. Courtesy Sotheby's. Painter and printmaker Giorgio Morandi established his eminent reputation on subtle, tonal still lifes of everyday household objects. Lot 23. Courtesy Sotheby's. Lou Klepac (Curator), Giorgio Morandi: the dimension of inner space, Sydney, 1997, 58 (colour illus.). Painted in 1951. 1050, collection Giovanni Battista Verrando. Morandi is the greatest Italian still life painter in the 20th century. Their results represent our two highest online auction totals, and propelled our online sales above $110 million to-date in 2020 – more than 1.5 times our full year results in 2019.Scott Niichel, Head of Day Sales and Deputy Co-Head of Impressionist & Modern Art at Sotheby’s in New York, commented: “The depth of bidding we saw over the last two weeks, especially on some of the top lots, is a testament to the strength of market demand when great material is presented. Licensed by Copyright Agency, Giorgio Morandi In the last week, Sotheby’s Online Day Sales of Contemporary Art (closed 14 May) and Impressionist & Modern Art together achieved $23.6 million, during what would traditionally be a major moment in the international art market calendar. Purchased with assistance from the Margaret Hannah Olley Art Trust 1997, © Giorgio Morandi/SIAE. (50.8 by 44.4 cm). Giorgio Morandi is Italy's most famous 20th century still life painter. Still life painting is called 'Natura Morta' in Italy. Sold for 1,580,000 USD. This week’s sales were peerless in this regard, especially in a time when normal business functions have been uniquely challenging, and are an encouraging sign of market appetite as we look forward to our sales at the end of June.”AUCTION HIGHLIGHTS. Dipinti. 286.1949. In this way Morandi suggests an abstract monumentality: a characteristic associated with metaphysical painting. The sale was led by Giorgio Morandi’s Natura morta (Still Life) from 1951, which realized $1.6 million – the highest price for any lot sold in an online sale at Sotheby’s. We use our own and third-party cookies to personalize your experience and the promotions you see. Painter and printmaker Giorgio Morandi established his eminent reputation on subtle, tonal still lifes of everyday household objects. Il travaille la peinture à l’huile et ses arrangements de vases et bols sont travaillés avec de faibles niveaux de saturation de couleurs et une variation subtile de tons. The canvas is divided into two horizontal segments; the upper half painted pale olive green, the lower, lavender-grey. L’œuvre Nature morte (1942) est uniquement composée de deux éléments placés au centre d’une table par ailleurs vide : une carafe et une tasse, toutes deux de porcelaine blanche. It entered the Carraro Collection in 2007 after its purchase at the Modern and Contemporary Art auction held at Christie’s in Milan. By visiting our website or transacting with us, you agree to this. The fluted white oil bottle depicted in Natura morta (Still Life) appears in some of Giorgio Morandi’s earliest work from the mid-1910s, and is perhaps the most recognizable and iconic of all his subjects. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. plate no. DEHUA PORCELAINS FROM THE GALSTER-IRELAND... Robert Galster and Gilbert Ireland. cat.no. The ball-shaped container in the front row at the lower left corner of the painting has a top section with yellow grooves and a bottom section with white grooves. During the Second World War years, Morandi turned his attention to landscapes and three different series of still-life, each with a different subject. Ervin Gallery, The Rocks, 15 Jan 2000–27 Feb 2000, Less is more: Giorgio Morandi and Gwyn Hanssen Pigott, Newcastle Art Gallery, Newcastle, 05 Mar 2011–08 May 2011, Matisse and the moderns, Art Gallery of New South Wales, Sydney, 25 Apr 2015–25 Oct 2015, Modernists: selections from the European collection, Art Gallery of New South Wales, Sydney, 07 Nov 2015–25 Apr 2016, Margaret Olley: a generous life, Queensland Art Gallery/Gallery of Modern Art, Brisbane, 15 Jun 2019–13 Oct 2019. Lot 28. That project has concluded, and works are now being identified by MoMA staff. Plate 174; Lamberto Vitali, Morandi. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. Lot 3769. Painted in 1882, Effet de niege à Osny, “La Ferme à Noël” is a superb example of Pissarro’s stylistic experimentation of the early 1880s. Painter and printmaker Giorgio Morandi established his eminent reputation on subtle, tonal still lifes of everyday household objects. Read the latest visit information, including hours, 20 Jul 1890 The work represents a transitional moment between the artist’s more spontaneous Impressionist works and the Neo-Impressionist style he would practice later in the decade, which is characterized by small dots of pigment juxtaposed against each other on the canvas. We have identified these works in the following photos from our exhibition history. Lamberto Vitali, Morandi: catalogo generale, Milan, 1983, (illus.). Sold for 560,000 USD. For access to motion picture film stills please contact the Film Study Center. The first featured shells, skeletons of beings no longer alive that reflected his state of mind and sense of impotence instilled by the war; The second depicted prevalently ceramic vases, pots, and crockery: fragile items of everyday use that alluded to a domestic intimacy to be preserved. Oil on paper mounted on cradled panel, 12¾ by 9½ in. By visiting our website or transacting with us, you agree to this. Signed C. Pissarro and dated 82 (lower left). Closed Good Friday & Christmas Day, Update from the Gallery regarding COVID-19, Read the latest visit information, including hours, Giorgio Morandi: The dimension of inner space, Favourites: Margaret Olley and Barry Humphries choose from Australian collections (2000), Less is more: Giorgio Morandi and Gwyn Hanssen Pigott, Modernists: selections from the European collection. George Jay Gould was a successful financier in his own right and amassed an impressive collection of Dutch, Italian and Impressionist art. The previous record was held by Friedrich von Hayek’s Nobel Prize for Economic Science, which sold for $1.51 million in 2019. It also showcases Pissarro’s new-found focus on the human figure; like his Impressionist colleagues Monet and Sisley, Pissarro had largely painted landscapes up to this point, so the introduction of the human figure in the center of the composition signals a new direction in his work. Art Gallery Rd, The Domain 2000Sydney, AustraliaInfo line 1800 679 278, See opening hours and admission (Roma, Palazzo delle Esposizioni, May - July 1943), page 31, n. 16; Lionello Venturi, Pittura contemporanea, Hoepli, Milan, 1948, ill. After Mr. Rollino has withdrawn it from public view at closing time, go back, take another look, and you’ll see that I’m right.” Eleven years later, the work was displayed once again at the Venice Biennale.

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